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A
Negro in Moscow by
Dwayne Woods
It
is generally known that the great-grand-father of the great Russian
poet Alexander Pushkin was of African descent. Beyond this fact,
however, little else is known about him. Much of the literature
on Pushkin provides only vague and contradictory details about his
African ancestor. By the end of the 19th century, many Russian historians
claimed that Pushkin's great-grand-father was either a Moor from
North Africa or an Ethiopian. Finally, Dieudonné Gnammankou,
a historian and linguist from Benin, has written a well-documented
and insightful study of Pushkin's African ancestor that corrects
many misconceptions...
In
the late 19th century, Russian historians claimed, without
any firm evidence to back it up, that Pushkin's great grand-father
came from Ethiopia. They settled on Ethiopia because they believed
it was more civilized than other parts of the "dark continent."
Influenced by Darwinian theories of race, Russian historians had
a difficult time dealing with Pushkin's Negro ancestor; some claimed
that Pushkin's temperamental character was due to the African blood
in his veins. But in his biography, Gnammankou shows that most
of what Russian historians and biographers of Pushkin have had to
say about his great-grandfather has little to do with the facts...
Gnammankou
argues that Hannibal came from a village bordering what is today
Chad and Cameroon...he provides strong circumstancial evidence that
exceeds by far the speculative claims that the Russian Negro hailed
from Ethiopia...
19th
century Russian historians sought to square Pushkin's essential
Russian character with his African ancestor. Unlike Peter the Great,
many of these historians were convinced that genes mattered more
than environment and were determined to identify how Pushkin's African
ancestor shaped his character. Reflecting the prevalent racist conceptions
of the 19th and 20th centuries, they generally assigned Pushkin's
negative traits to his African great-grand-father: his love of gambling
and women and his hot temper. However, his poetic gifts and intuitive
understanding of the "Russian soul" were ascribed to his Russian
ancestry. But Hannibal's examplary life exposes the obvious nonsense
of this interpretation; after his second marriage, there is no evidence
that he was a womannizer, and unlike Pushkin, Hannibal managed his
financial affairs well...
As
for Pushkin, he was always proud of his African blood; he never
saw it as a drawback and in fact wrote a sketchy biography of Hannibal
and referred to him in some of his poems...
Gnammankou
has written an insightful and detailed biography of Pushkin's Negro
ancestor that works on two levels. On one level, it is a historical
narrative that provides the reader with facts and dispels the misconceptions
surrounding Pushkin's great-grandfather. On another level, the book
reads like a good detective novel, where the author seeks to clear
up the mystery of how and why this African ended up in Russia. Both
levels are superbly handed, and the book as a whole is written
in scrip and jargon-free French...
By
writing such a book, Gnammankou has set the stage for future work
on Blacks in the Diaspora. While Hannibal was an isolated case
in Russia, he was not the only black who was taken as a slave and
accomplished remarkable things in a foreign environment. Little
has been written about the role of African slaves in the Ottoman
Empire, in the salt marshes of Southern Iraq, and in the military
in India and North Africa. Hopefully, Dieudonné Gnammankou's
detailed biography of Hannibal will serve as an impetus for this
type of research in the future.
Dwayne
Woods, Assoc. Prof. Purdue University
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